Terrestrial Subjectivities
Terrestrial Subjectivities
19th and 20th century African American landscape and still life artists challenged visual colonial stereotypes developing psychological mindscapes inspired by nature and everyday life. Using depth, color, volume, and focal perspective, the artists embedded cosmos sensorial, cultural, and socio-political experiences in their visually imagined landscapes. Double consciousness Black cultural subjectivities informed their creative process as they rejected racialized assumptions of inferiority, shallowness, and criminality.
Edward Mitchell Bannister’s warm colors, Grafton Tyler Brown’s ephemeral blues, Robert S. Duncanson’s yellow golden glow, and Henry Ossawa Tanner’s green hues, are some of the visual political gestures that unsettled Eurocentric color patterns. Their artworks speak of idyllic sites free of racial, economic, and social injustices.
For those viewing these works of art, acknowledging our embedded extra-optical ideologies facilitates a transformative changed in the observer’s perception of color and space in relation to racialized and culturally codified knowledge.
Artists Included:
Edward Mitchell Bannister, American, 1828 – 1901
Grafton Tyler Brown, American, 1841 – 1918
Robert S. Duncanson, American, 1821 – 1872
Alfred Hair, American, 1941 - 1970/1971
Floyd Newsum, American, born 1959
Stephanie E. Pogue, American, 1944 – 2002
John Wesley Hardrick, American, 1891 – 1968
William A. Harper, Canadian, 1873 – 1910
Barkley Hendricks, American, 1945 – 2017
Betye Saar, American, born 1926
Henry Ossawa Tanner, American, 1859 – 1937
Richard Mayhew, American, born 1924
Lou Stovall, American, 1937 – 2023
Benny Andrews, American, 1930 - 2006